The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. I was using an EOS 300 and set the ISO to 800. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Left: inverted & equalized scan W/O any adjustments. It single-handedly converts your emulsion to daylight-balanced stock. consider also using a ND filter with very high ISO film in sunny conditions. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. The first will be bigger problem with small format (you enlarge more, but 1/2000 and faster speeds are common) and the second with medium format (many MF cameras are limited to 1/500 sec). The light-sensitive film requires less light to develop a properly exposed photo. The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. What factors changed the Ukrainians' belief in the possibility of a full-scale invasion between Dec 2021 and Feb 2022? But the intent of this camera/film would be mixed scenes. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. Can you shoot 800 ISO in daylight? Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. An ND (or several) will make your project more manageable. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! The first few images are from my first roll with Portra 800. Technically, an ISO 800 film would be the safer choice. CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. So I wanted to know if Portra 800 was just as flexible. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. //